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Yes Pierre, exactly as AddOn\ffmpeg\ffmpeg.exe (location and name are relevant, otherwise it is not called). If yes: can it detect if a thumb can be retrieved or not? If yes, can it call the Addon ffmpeg.exe only if this thumb is not available? I have a question about that: for MP4 files, how the current MP version retrieves thumbs? Using it's builtin code resp. Normally that works!)ītw, did a aheck with the older version 0.72 /without codec pack), and there was no different behaviour (no thumbs for flv and avi). (i'm quite sure that somebody will say that one must not use the 32bit version on 64bit wiendows. MP was each time restarted and the thumbs.db cleaned resp. MP 32bit version 0.81 (didn't retest with the betas) lost all thumbs (except for WMV). MP 64bit version 0.81 did show up the thumbs indeed. The thumbs within Explorer (don't cara about) showed up immediately.ĭid a retest using the pack and need to correct myself: The pack was 64 bit and installed by default, nothing special. There are diverse opinions/preferences about that around. Most media specific apps come with their own builtin decoders. Who will decide what is the right pack? the right version? and who is guilty in the case of trouble?Īnd, beyond this thumb issue i have none needs for those packs, for none application. (becuase for those others XnviewMP itself behaves better) ?Īgain, there are pros and cons. Is it possible to tell XnviewMP to use a certain addon (here: ffmpeg.exe)įor a specific file type resp. Which noticeably slows down the creation of thumbnails - the xnviewmp builtin decoderĪppears to be much faster than using the ffmpex.exe within 'AddOns'. all MP4 files too) appear to be processed by ffmpeg.exe, ![]() To use ffmpeg.exe placed beyond the addon subdirectory (AddOn\ffmped\ffmpex.exe) i have no thumbnails for FLV files (whereas those are previewed very fine!) I have thumbnals and a good preview or MP4 files (my player media player classic home cinema has it's own builtin decoders). I don't want to install any additional codec packs, and normally i don't need them at all I tried to use XnviewMP win 0.81 as a browser for video files on windows 7 圆4. ![]() ![]() It’s not just entertainment, though it most certainly can (and should) be. ![]() ![]() I find myself comforted, listening in gentle communion, to a work of art that shares my grief brilliantly and empathetically. Bolm’s incredibly vulnerable declarations of hurt, loneliness, regret and suffering are absolutely necessary and equally wonderful. The lyrics are honest, passionate and absolutely heartbreaking. Their album, Stage Four, detailing Bolm’s grieving process after his mother died of the same terrible illness afflicting my father-in-law, lives on a loop in my mind and heart now. Jeremy Bolm and his band Touché Amoré have kept me good company lately as I’ve grappled with these questions under the red glow of cancer. How? Why? Does this eventually make sense? When does the adulthood that I always imagined existed as a child reveal itself and infuse me with all of the understanding, bravery and confidence in the world? Finally, sitting in a hospital room watching a disease hellbent on eliminating as wide a swath of humanity as possible lay waste to a man I respect, admire and love. Sitting on a train, praying for it to go faster than physics would allow while staring ahead blankly, not knowing how to help, how to support, how to logically assess the seriousness of the situation…how to cope. My wife crying on the phone, begging me to hurry. Leaving work early on a gorgeous Colorado Friday to rush to the hospital after he took a serious turn for the worse. The last few days have seemed to scream by in a high-functioning haze. I don’t know how to process this biological certainty. This joins Bring Me The Horizon’s Semperternalas one of my favorite albums of the year and I can’t wait to see them live in Portland on Halloween in a few weeks so stay tuned for that concert review as well.My father-in-law is a good and decent man. You don’t see nearly the development in lyrics and instrumentation that you do here with one notable exception being Comeback Kid who still remains one of my all time favorite hardcore bands for that very reason.Īll in all this is an utterly fantastic album and has entered heavy rotation on my phone. Tracks like “Just Exist”, “Is Survived By”, “Harbor”, “Non Fiction” and 8 other instances of awesomeness that show intellectual and emotional growth that, to be brutally honest, you just don’t see very often in a hardcore band. All of which you get with Is Survived By, but you also get so much more. It had powerful anthems like “~” and gut wrenching emotional tracks like “Face Ghost”. Their last album, Parting the Sea Between Brightness and Me, was fantastic in every sense of the word. I mean in it in the classic sense of intrigue, complexity, and depth. There is so much melody and drama in this album it makes me a bit giddy, and I don’t mean drama in the Bad Girls Club sense either. Which is why I say this is the best HARDCORE album of the year. Call me simple, but if it sounds like hardcore, feels like hardcore, and moshes like hardcore… it’s hardcore. It’s not like hardcore bands just stopped creating music, that on a specific day they packed up their mosh pits and went home and hardcore stopped existing. I know that music historians, record labels, and obsessive compulsive music geeks have a defined segment of time in American music where hardcore was at it’s peak and blah blah blah, but I feel like it’s a bullshit term. And no it is not a typo that I called them a hardcore band and not a post-hardcore band.įor the record I hate the term post-hardcore. Not only does this album have their longest song to date (3:30) and show immense growth / evolution from their last album, but I’m going to put my stake in the ground and call it the hardcore album of the year. Pardon me for being so blunt, but the new Touché Amoré is fucking awesome. Settle in for izakaya – Japanese sharing plates paired with cocktails made by the bartender. Issho-Ni means ‘together with’ and evidently, this is the place to come with a gang of friends. It’s run by a husband-and-wife team, and the level of cooking goes above and beyond what you’d expect at a neighbourhood restaurant.Īddress: Takahashi, 228 Merton Road, London SW19 1EQ Website: .uk Classic hosomaki (just one filling) include smoky toro taku and salmon. The sushi selection is extensive with snow crab, pink shrimp and eel among the nigiri and sashimi, and spicy tuna and crab avocado amongst the maki. At Takahashi, there’s a Mediterranean slant, with ‘tapas’ courses on the menu including Cornish scallop carpaccio with yuzu salsa and free-range crispy pork belly with aubergine miso. The black miso cod on the menu is a give-away, but from there things diverge. During the lunch hour, pick up quick bento boxes and mixed sushi sets with free-flowing miso soup and salad on the side.Īddress: Sushi Atelier, 114 Great Portland Street, London W1W 6PA Website: .ukĪnother Nobu alumnus is behind Takahashi, a small sushi restaurant in the unassuming environs of South Wimbledon. ![]() It’s the sushi you’ll want to come for, though try the dragon roll topped with BBQ eel and the tiger prawn with yuzu tobiko. It aims to be more laidback with a warm wooden bar dominating the interior, and more modern in terms of the menu with carpaccios, steamed dumplings and salads on offer alongside the sushi. Sushi Atelier is the most recent incarnation from the people behind Chisou, the traditional Japanese restaurant with locations in both Mayfair and Knightsbridge. It’s not cheap but it’s most certainly worth it for a special occasion.Īddress: Chisou, 22-23 Woodstock St, London W1C 2AR Website: Kick off with the excellent horenso salad – a mountain of spinach leaves topped with spicy tuna and a zingy yuzu sauce before diving into thinly sliced nigiri and crispy soft shell crab. Interiors see soft blond wood accents and an immaculate sushi counter ideal for asking the chef to serve you the best fish rolls of the day. Along with the setting on the top floor of White City’s Television Centre, it earns the restaurant its tag-line of ‘sushi in the clouds’.Īddress: Endo at the Rotunda, Television Centre, 8th Floor The Helios, 101 Wood Ln, London W12 7FR Website: Ĭhisou has been a long-time favourite with a smart Mayfair set for its swift, fresh and proper Japanese lunches. ![]() ![]() Dishes are presented at an ancient cypress table above which hangs a white cloud light installation with sinuous wavy shapes. Each 20-course sitting is an individual immersive journey led by Endo Kazutoshi, a third-generation sushi master from Yokohama. More stellar reviews followed and now Michelin-starred Endo at The Rotunda is one of the most coveted tables in London. Giles Coren declared the omakase tasting experience ‘the most perfect meal I have eaten in a restaurant in more than 20 years as a critic’. Lily BonessoĪddress: The Fuji Grill, Beaverbrook Town House, 115 Sloane Street, London, SW1X 9PJ Website: .uk We recommend the Kinky Boots – a Champagne cocktail served in an impossibly tall flute complete with a spoonful of passion fruit sorbet. ![]() Finish digesting on the coral velvet sofas at Frank’s Bar. A few standouts include Tuna Kakuni in ginger soy, which dissolves as it touches your tongue, and the six-day aged O-toro with black truffles, which marries smokey flavour with the freshness of the fish. Each is prepared before your eyes using traditional techniques to preserve the freshness of an open-sea catch and served with careful choreography. A 20-course menu spotlights a different type of fish in each dish. But, at the back of this buzzing establishment, we found what we came for: an immaculate mint- green Omakase sushi bar, complete with glass displays of moss and traditional Japanese crockery. Entering the Georgian building, you're greeted by glossy black and white checkered floors and jewel-toned interiors inspired by opulent country estates. The Fuji Grill, Beaverbrook Town House, Chelseaīeaverbrook Town House – a hotel, cocktail bar and restaurant in Chelsea – doesn’t exactly conjure up images of Japan. ![]() And also in this case, something that Mike Flanagan does really well, he hides little things in the background that are story elements. It's usually the cinematographer and director wanting to make things really dark and moody, and then the producers are saying I want to see my actors! And then the audience wanting to see all the little nuances and subtleties in the actor’s performance. You know there's two elements always at play. I'm sort of on the edge of my seat to see how things look on Netflix because I wasn't able to really see it and grade and do color timing in our normal process. So how that translates to the screen for the viewer is tough. So all the post work was done remotely via iPad. And in fact we finished on February 25th, right before COVID hit. With streaming and compression, people are watching the material not necessarily in the best viewing environment. JK: Yeah that's a big challenge, especially today. How were you able to shoot for darkness while still making sure it was all coherent, that we could still see? So, it was just serendipitous in terms of me coming on board at the crux of the story and being able to make things a little bit darker.ĪK: Speaking of the lighting, there's a lot of actual darkness here. And up until then, some of the lighting and camera work had been a bit more traditional. I had come on board to replace somebody else, and it was just the right time in terms of the arc of the story, where things sort of get a little bit darker and heavier thematically. But I quite enjoyed the experience and the challenge. ![]() So, it's a little daunting to say the least. There was never any fear or trepidation, just tons of support. Mike Flanagan and Trevor Macy, they provide such an amazing environment for artists to bring their touch to the projects. I stepped into it when things were already kind of established, but I had a little bit of an assignment to take things further visually. ![]() What was it like stepping into this series knowing that precedent? Anhar Karim: The Haunting of Hill House had a huge impact on the horror genre. ![]() Create a name for your automated response. You can: Create your own: Click Custom keywords. Review the type of automated responses available, and click on the dropdown menu to expand your options. In this video, well walk you through the process of arranging and tailoring your shortcuts for quick and easy access to your favorite features. ![]() Click Settings & Privacy, then tap Privacy Shortcuts to see shortcuts to your. Start by going to your Inbox on Meta Business Suite desktop. Rather than scrolling down your target's wall or checking his or her friends' walls and photo albums trying to figure out who of their many friends they are actually the most friendly with, you can just go to their "Friends" page and use a tool that Facebook has designed for you for easier stalking research. To get to your Privacy Shortcuts: Click account in the top right of Facebook. ![]() A friend recently pointed me to a nifty tool that lets you see who a given Facebook user interacts with most. While we wait for them to work their Timeline magic, I have another useful tool for those that use Facebook to stalk learn as much as possible about their friends, colleagues, loved ones, and wanna-be loved ones. To change the target URL of your shortcut, click on the Change Icon button and enter the desired URL. In the Properties window, navigate to the Shortcut tab. It's a redesign of the Facebook profile page that will make sure that the most important, relevant, and juiciest information about every user for the entirety of their time on Facebook is easy to find. Right-click on your newly created Facebook shortcut icon and select Properties from the drop-down menu. Facebook has dangled Timeline in front of us for months now. If youd like to limit who can see all of your past posts at one time, you can Limit Past Posts in your account settings. 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The wood Nootka Falsecypress is extremely durable and is excellent for specialty uses.Īlaska-cedar/ Nootka Falsecypress is monoecious which means it has both the male and female reproductive organs in the same individual. ![]() Nootka Falsecypress is one of the slowest growing conifers in the Northwest. Nootka Falsecypress range is confined to a cool, humid climate. Nootka Falsecypress native range can be found along the Pacific coast in Alaska and British Columbia, in the Cascade Range of Oregon and Washington, and at a number of isolated locations. Nootka Falsecypress is an important timber species of northwestern America. The Nootka Falsecypress or the Alaska Cedar has unique squared stems that will develop a trunk woods bark will shredding bark with age with a reddish-brown color. The long, pendulous, flattened branches are clothed with dark bluish-green or grayish-green, scale like “needles. One the most unique characteristics of the Falsecypress or the Alaska Cedar is its pendulous sprays of needles. The Nootka Falsecypress or the Alaska Cedar will soften any landscape and can be used in or near water or around a patio or as a lawn specimen in residential or commercial landscapes. This tree makes a striking specimen, with a distinct, graceful, weeping habit. The Nootka Falsecypress or the Alaska Cedar in its native habitat can become a medium-sized evergreen tree with a weeping or pyramidal form and can reach the heights 30' to 45' tall in cultivation. ![]() The Nootka Falsecypress is pronounced ( kam-eh-SIP-uh-riss noot-kuh-TEN-sisor) and this tree species belongs to the Cypress family of plants commonly known as Cupressaceae. This less than commonly seen or known small evergreen tree to the Ohio landscape that is called the Nootka Falsecypress, or the Alaska Cedar is a beautiful tree that should be sited in a partial sun or partial shade, shade tolerant, full sun. This month Tree-Of-The-Month is commonly known as the Nootka Falsecypress or the Alaska Cedar ( Chamaecyparis nootkatensis) The Ohio Chapter ISA continued efforts is to advance responsible tree care practices through research, technology, and education while promoting the benefits of trees. Note: Be sure students understand the above pattern only applies when the numerators are all 1. When ordering unit fractions from least to greatest, the fraction with the largest denominator has the smallest value. Have students use the Parallel Number Line worksheet. ![]() Have students discuss how to order each group of fractions from least to greatest. Write the following groups of fractions on the board: Fractions closest to 1 have numerators and denominators that are about equal.Fractions closest to have denominators that are about twice as great as their numerators, or the numerators are half as great as their denominators.Fractions closest to 0 have numerators that are very small in comparison to their denominators.Help students discover and describe the following patterns between the fractions in each column: Do you see any patterns among the fractions in each column?”.Provide parallel number lines ( M-4-3-1_Parallel Number Line Sheet.doc) or fraction circles for students to use. Have students analyze each fraction in relation to 0,, and 1. On the board or overhead transparency, write the following fractions: Have students fold a sheet of paper to create a three-column benchmark chart and record their answers in the chart. Tell them, “We will be comparing fractions to 0,, and 1.” Explain that benchmark fractions are commonly used fractions. Introduce the term benchmark fractions to students. Students’ responses will provide a quick check of their skills in comparing and ordering fractions. ![]() Encourage students to demonstrate their thinking using fraction circles, chips, 1-inch color tiles, pictures, or number lines. Also have students explain in their own words how they know that figure B represents a fraction that is less than the others and what it would take to make it equal or greater than one-half. Point out that figures A and C show two representations of one-half and are equal, although both the numerator and denominator in figure C are larger than those in figure A. Have a student name the fraction for the shaded part of each circle:Īsk “Which is more?” questions, starting with the samples on the board. ![]() Fractional parts of a whole unit must be equal in size.”ĭraw the following pictures on the board. A fraction represents part of a whole unit or part of a group of objects. Say to the class, “Let’s review some of the things we know about fractions. Note: Blank templates for fraction strips and fraction circles are available if needed ( M-4-3-1_Fraction Circle Template.doc and M-4-3-1_Fraction Strip Template.doc). ![]() Within about 2 hours time I had somethng that could be published. After weeks of wasting my time with iMovie, I finally started from scratch on my 2011 Windows PC with non SSD hard drive, using the old Windows Movie Maker software. I made sure it had plenty of memory and CPU available. My Pc is mid 2015 model with the video all on an SSD drive and 8GB ram. When editing for even a minute or so the spinning wheel would begin again. The first thing I noticed is the temp files wiped out about 100gb of space on my drive to store temporary data. I wasted days letting it process my video files which Windows Movie Maker had 0 issues with in the past. ![]() I recorded about an hour of 1080p video with my Sony video camera, imported it to my Windows and tried to edit down to about 10 min. How could you possibly screw up so many features in one update? Just take it back to when it was simple and usable, PLEASE.Īs soon as I begin to create videos of any real length over a minute or two, iMovie chokes completely. I exported it, it took FOREVER, then all of the sudden it was only the first 7 seconds of my film. ![]() Using the 0.1 second frames (the LOWEST choice I had) it came out to something like 2min 25sec or so. Then it gets worse! How's that even possible? I don't know. Frames are changing back and forth the entire time you watch it. I drop them all in and they come out in the completely wrong order. Even worse though, is that it can’t even get the order correct anymore. Im trying to do a time lapse edit, and Ive always had this issue with iMovie, why can I not play the clips at less than 0.1 sec each? hours of timelaps photos need to be broken down do a minute or two, not 10. I wish I could just go back to the old version. Why the extra step? Its literally there for no reason. Now you have to drag them into these specific folders inside iMovie (at least you can create your own) and from there you can drag them into the editing section. Before, you could just drag whatever videos or photos you wanted straight into the editing section of iMovie off of your desktop, a folder, an external drive, anything. They changed things about it that are very annoying. I can’t get iMovie to do anything correctly anymore since I updated it. |
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